Arts Fuse Editor
Set in Boston’s rock scene during the ’80s, the mystery World Enough serves up plenty of compelling entertainment.
The Brattle Theatre has come up with a specially-curated slate of films that honors the cinematic underpinnings of Netflix’s Stranger Things.
Coming of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
A festival of Gumboot and Pantsula at Rhode Island College featured a large cast of virtuosic dancers and engaging musicians.
Comparisons and guesses about influence aside, poet Richard Hoffman’s voice is individual, original, and strong.
The short volume promises a glimpse into Patti Smith’s intuitive creative process — but disappoints.
Faye Driscoll’s muddled version of taking artifice apart is far too familiar; we’ve done it all before, seen it more than once.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
The King’s Choice is a thoughtful nail-biter, a suspenseful historical drama.
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