Arts Fuse Editor

Film Review: “The Autopsy of Jane Doe” — Death Becomes Her

February 3, 2017
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At first,The Autopsy of Jane Doe comes off as a sort of small town crime thriller, but it slowly evolves into what feels like a bonafide horror film.

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Book Review: “Hope in the Dark” — An Homage to Community

February 2, 2017
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Now, more than ever, It’s worth being reminded of our natural potential for good.

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Theater Review: “Trans Scripts, Part I: The Women” — An Evening of Powerful Journeys

February 2, 2017
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This is a script with an exquisite sense of balance; Trans Scripts, Part I is thoughtful, informative, honest, and playful, all at once.

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Theater Review: “Really” — An Absorbing Confrontation With Memory

February 1, 2017
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Company One’s production of this unconventional work is absorbing: this is the kind of exciting theater that we need to see more often.

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Visual Arts Review: Virtual Reality Art — Not Ready for Prime Time

February 1, 2017
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Worse, humor and irony have no place in this show’s version of virtual reality.

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Dance Review: Jessica Lang Dance — Flowing with the Go

January 30, 2017
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I like to see dances that are somehow all of a piece. Hope this doesn’t mean I’m sinking into some kind of retro-fogeyism.

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Theater Review: The Lyric Stage Company is not “Afraid of Virginia Woolf”

January 30, 2017
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Edward Albee’s bitter masterwork is a tough nut for a company to crack as well as a hard play to watch.

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Film Review: “The Executioner” — Death Be Not Pedestrian

January 30, 2017
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Director Luis García Berlanga entertainingly but ruthlessly lampoons the cruelties and absurdities of Spanish life under dictatorship.

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Coming Attractions: February 5 through 14 — What Will Light Your Fire

January 29, 2017
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Arts Fuse critics select the best in theater, film, music, author events, and dance for the coming weeks.

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Visual Arts Interview: Doug Weathersby — Making Art Out of Work

January 28, 2017
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Among other things, we talked about the art world’s massive hoarding problem.

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