Arts Fuse Editor
The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.
K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
In every meaningful way, The The’s return to the States, the band’s first tour in 16 years, was generous.
“The work is now stronger having successfully balanced both the needs of the visual choreography and the sound.”
Conceptual and abstract as David Byrne can often be, he’s one art schooler who isn’t afraid to get down.
There were moments during Van Morrison’s 22-song concert Tuesday when he was whipping the band into a frenzy — shouting out song selections before the final notes of the previous tune had fully rung out.
Indie filmmaker Josephine Decker creates a brilliant showcase for Helena Howard, whose performance is electrifying.
“I went back and listened to the records and watched videos of performances. I got into character for this,” Glenn Hughes confesses.
Visual Arts Commentary: Three Temporary Public Art Pieces — A Dialogue with Art and Ourselves
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
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