Arts Fuse Editor
Jerome Robbins makes me think about how nonverbal characters can inhabit their times.
It is this ability to ground their sophistication that makes the Macuco Quintet a band worthy of affection as well as admiration.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
The genius of this film is that no preaching is necessary; it makes its political point in an apolitical way, an art film that is, incidentally, didactic.
Does Shakespeare need a digital makeover to stay relevant and entertaining?
“What is new since the ’70s is a much broader ideological shift in the business world itself, and the way in which it came to approach the jazz world as a result.”
Choreographer Paul Taylor leaves a repertory that sprawled from the outrageous to the sublime.
Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
Too many cultural critics look at our past through a fuzzy filter of sentiment. Chapo Trap House tackles America’s past and present idiocies head-on in a refreshingly honest way.
Remembrance: Burt Reynolds — A Manly, Funny, and Prolific Actor
Burt Reynolds was appealing primarily because one always knew what to expect from him: sex appeal, charm, humor, and a manly warmth that permeated every part he played.
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