Arts Fuse Editor
What if you took canonical Western works and reimagined them from an African perspective?
Virginie Despentes novel reads like Paul Thomas Anderson’s Magnolia mashed with Don Quixote and set in contemporary Paris.
Admissions is a successful comedy, but not quite the hot, scathing satire of ‘privileged whiteness’ one might gather from the ads. (Or from some of the local reviews.)
To hear Nat King Cole move from an anonymous member of a backing chorus to a world-class vocal soloist is well worth the time this boxed set demands.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
When confronted with a seemingly intractable quandary, playwright Larissa FastHorse — and her characters — take the easy way out.
In this book, Naomi Klein shines a light on the path to a politically and economically just model of sustainability.
Michel Layaz’s narrator is juggling much more than nostalgia — his traumas are overwhelmingly odd and disturbing, almost to the point of absurdity.
All told, The Topeka School is engaging — it’s a talented and kaleidoscopic story touching down just about everywhere in modern life.
Dramatist Tracy Letts’s new play is raw, funny, and intensely personal.
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