Arts Fuse Editor
Director Igor Golyak takes major chances in presenting a version of The Seagull that’s self-consciously about The Seagull. And they pay off.
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Arts Fuse contributor Glenn Rifkin chats about his time with the magazine and his latest book, “Future Forward.”
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Biographer James Kaplan was aided by the assistance of Irving Berlin’s two elder daughters, and that makes this biography particularly valuable.
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At a time when Kenneth Branagh busies himself clogging up multiplexes with bombastic Agatha Christie all-star remakes, director/writer Rian Johnson revels in subversion of the genre.
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But really, what is a Bob Dylan concert these days if not a case study in transformation?
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The Henry Purcell Society proves that playing mad can be a lot of fun.
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We are immersed for 70-minutes in a powerful evocation of the destructive culture created by men who treat women as sex objects.
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What makes Marriage Story unbalanced and faintly dishonest is that we end up rooting for the clueless male egomaniac.
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A script with this many characters buzzing about demands a strong cast — fortunately, Hub Theatre’s terrific ensemble is more than up to the task.
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Because Eliza Griswold’s poems often take place in war zones, she’s always provocative — even when she is tendentious.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler