Arts Fuse Editor
Arts Fuse writers Lucas Spiro and Matt Hanson discuss the late Harold Bloom.
Though the story’s events are set in the present, the Gen X music feels right, coming as it does from an era when fear, decadence, and moral hypocrisy also dominated our culture.
Tarare is simply one of the most important operas of the Classic era, precisely because it challenges so many aspects of Classic-era “normality.” You won’t believe your ears.
I do not know how BEMF will ever top this. Bravo tutti!
Even taking into consideration my several objections, this Faust is one of the most accomplished and intriguing opera releases of recent years.
There are few films these days that feel like such a familiar and sorely-needed balm for stressful times.
All is Calm juxtaposes the gravity (some might say the idiocy) of war with the simple human gestures that the opposing sides extended to each other during a remarkable cease fire.
Colorful, characterful, and full of worldly wisdom, The Last Sorcerer—by a skilled and imaginative composer, to a text by the great Russian novelist— receives a superb world-premiere recording, with Met mezzo Jamie Barton and bass-baritone Eric Owens.
Tony Kushner attempts a re-write of his first professional play. The results are decidedly mixed.
Visual Arts Commentary: Pat Falco’s MOCK — A Resonant Statement about Boston’s Affordable Housing Crisis
With MOCK, the artist has made made an exceptionally powerful statement, conceptually and physically, about Boston’s increasingly dire affordable housing predicament.
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