Arts Fuse Editor
Ken Ludwig’s stage version of Murder on the Orient Express is an enjoyable diversion.
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Terry Tempest Williams thinks that we must seize opportunities to save an increasingly endangered world — we don’t have a choice to feel powerless against the forces that seek to exploit and destroy the beauty of life on this planet.
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The Brit-born iteration of mind-expansion music — from Syd Barrett onward — favors clever wordplay and musical accessibility.
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For all its cinematic zest and superb acting, The Irishman offers a bleak demonstration of what happens when you sell your soul for too little.
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Jack Taylor has always been a version of the reluctant detective, but now he seems more impotent than ever — distracted, beat down, and very tired.
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There’s no doubt that the Japan-born composer/pianist/bandleader Satoro Fujii is one of the most prolific recording artists of her time.
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Watershed is an unadorned but stunning addition to the offerings at the deCordoba Sculpture Park and Museum.
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Marianne is one of the slickest horror series I’ve seen on Netflix.
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Frolic and Detour contains a few poems that I judge to be instant classics of English-language poetry.
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Music Commentary: Why You Should Buy 45s
Let the unimaginative people diddle around with their baseball cards and stamp collections. This is the kind of irrational, eccentric passion that you will be remembered for.
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