Arts Fuse Editor

Film Review: “Satan & Adam” — The Story of a Dynamic Blues Duo

January 4, 2020
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Following the stories of these unique, gifted, and sadly overlooked individuals can be as gripping as the music they made together.

Music Feature: Best Non-Jazz Albums of 2019 – A Semi-Chronological Constellation

January 4, 2020
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Milo Miles tests a long-held theory: that critic comments on why entries made it onto lists have little or nothing to do with whether readers track down and listen to the selected music.

Film Review: “In Fabric” — Weird, Witchy Fashion

January 2, 2020
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In Fabric is a mesh of black comedy, horror, and art house psychedelia. I found it wildly original.

Jazz Remembrance: Jack Sheldon

January 1, 2020
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Trumpeter Jack Sheldon will be missed for much more than his musical output would account for.

The Arts Fuse Mentorship Program: Student Reviews from Somerville High School

December 31, 2019
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The Arts Fuse Mentorship Program invites high school students from diverse backgrounds (in this go around from Somerville High School) to team-up with Arts Fuse critics.

Arts Commentary: WBUR’s Clogged “ARTery”

December 30, 2019
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Every organization in the Barr Foundation’s charmed circle — large arts groups and The ARTery — have a financial stake in reinforcing the belief that the Barr’s money is being put to supremely successful use.

Coming Attractions: December 29 through January 14– What Will Light Your Fire

December 29, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

Concert Review: The Mighty Mighty Bosstones — Beloved and Blistering

December 28, 2019
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It may sound oxymoronic, but the Bosstones scream, shout, and agitate for common decency.

Theater Feature: Best Stage Productions of 2019

December 28, 2019
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Our theater critics pick some of the outstanding productions of the year.

Visual Arts Review: The Legacy Museum — An American Inheritance

December 26, 2019
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The Legacy Museum draws on a passionate and visceral mix of architecture, graphics, text, art, music, video and spoken word to prove that — ever since the time of slavery — white views on race have distorted the presumed fairness of our legal system.

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