Arts Fuse Editor
Though the story’s events are set in the present, the Gen X music feels right, coming as it does from an era when fear, decadence, and moral hypocrisy also dominated our culture.
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Tarare is simply one of the most important operas of the Classic era, precisely because it challenges so many aspects of Classic-era “normality.” You won’t believe your ears.
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I do not know how BEMF will ever top this. Bravo tutti!
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Even taking into consideration my several objections, this Faust is one of the most accomplished and intriguing opera releases of recent years.
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There are few films these days that feel like such a familiar and sorely-needed balm for stressful times.
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All is Calm juxtaposes the gravity (some might say the idiocy) of war with the simple human gestures that the opposing sides extended to each other during a remarkable cease fire.
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Colorful, characterful, and full of worldly wisdom, The Last Sorcerer—by a skilled and imaginative composer, to a text by the great Russian novelist— receives a superb world-premiere recording, with Met mezzo Jamie Barton and bass-baritone Eric Owens.
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Tony Kushner attempts a re-write of his first professional play. The results are decidedly mixed.
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The Tedeschi Trucks Band is capping another remarkable year of transition and growth, some of it spurred by tragedy.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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