Arts Fuse Editor
This is hard-hitting neo-noir parable whose dark humor delights as it strikes at the corrupt heart of business as usual in Argentina.
One thing that gives Marc Maron’s comedy a certain punch is that he is an equal-opportunity crank.
There’s a story yet to be written about art dumping; theater and dance dumping; even film and TV dumping now that live performance and production of all kinds has shut down.
Killing Eve is as exciting and compelling as ever. But its narrative structure is becoming somewhat fractured and increasingly odd.
I’m curious to see what happens next. I’ll keep writing plays, but I might need to hone my skills as a handyman just in case this whole theater thing doesn’t pan out.
Darkness is pervasive in this Cowboy Junkies album, but it is not all-encompassing.
Marc Petitjean seamlessly moves from describing intimate scenes to discussing Frida Kahlo’s art and its significance.
This is a love letter, told honestly and poignantly, to the Vietnamese people, an homage to their dedication to remembrance, during and after a painful time.
Shakespeare’s role in American history is not immediately apparent — at least it wasn’t to me. Part of the considerable pleasure of reading this book is seeing how James Shapiro draws the connections.
Visual Arts Commentary: The Shock of the Cute — Too Much of a Cute Thing?
What gives with the overbearing presence of cuteness throughout the world of contemporary visual art?
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