Arts Fuse Editor
Bassist Dave Holland’s new album, Another Land, will take you to interesting places. Clarinetist’s Ben Goldberg’s latest, with its guitar/bass/drums core, might do the same.
Those who have followed Throwing Muses’ Kristin Hersh’s career over the past three decades are the target audience for this memoir. But she is a good enough writer to interest people who may never have listened to her music.
There is no gainsaying that Hard Like Water is, in English, an important book, if only because of its refreshingly sensual vision of the appeal of the Cultural Revolution.
The group’s exuberance makes it easy to like, an enthusiasm that is compounded by the quality of its live shows and its recordings.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Undine is a film best savored (and best absorbed) with a second viewing. Viewers must be open to its charms, perhaps allowing memories of the primal to seep into their consciousness.
As we emerge from the pandemic, Rostam’s Changephobia strikes the right healing notes for fatigued ears.
Songs for a New World grapples with the jumble of emotions prompted by the end of the pandemic, while also serving as a potent reminder of what a joyful experience musical theater can be.
Arts Commentary: Small Business Administration — Cut the Red Tape and Distribute Fed Money to Shuttered Venues!
Boston’s independent theatres and music venues are joining thousands from around the country to call on the Small Business Administration to immediately release Shuttered Venue Operators Grant funds.
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