The crowd emptied into the humid Boston night having bridged the past and the present, thanks to the incredible talent of the city’s local music scene, reunited in tribute to a club that hosted many such moments over its 11-year history.
According to our docile mainstream media, Boston enjoys a perpetual Renaissance — the merchandise in the cultural window is always worth buying. And that predictability makes for very boring journalism.
Richard Vacca’s The Boston Jazz Chronicles will be a foundational document that other researchers will turn to again and again as they delve into more specific niches of Boston jazz history and unearth as yet unknown artifacts of this era and its neglected body of music.
“The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that reach the stage.”
Though rooted in Boston history, “The Luck of the Irish,” with its racial, class, marital and inter-generational conflicts, could be set anywhere in the world.
Dutch cellist Pieter Wispelwey first performed, as the soloist with the Australian Chamber Orchestra. in the Celebrity Series line-up back in 2007. He made his second appearance at NEC’s Jordan Hall two nights ago. It was a spectacular performance.
It was with great sadness that I learned that on the day after Christmas 2011 pneumonia carried off an underappreciated giant of jazz, saxophonist and composer Sam Rivers. His 88 years took him on a long journey from his midwestern origins to decades here in Boston and later in New York to a rich late period in the somewhat improbable locale of Orlando, Florida.
Legendary soul and gospel diva Mavis Staples will ‘take you there’, into the New Year, at Symphony Hall (@ 9 p.m.) this Saturday, December 31th, marking the performer’s First Night debut in Boston.
Dostoevsky’s theater is set on a metaphysical stage — both “The Grand Inquisitor” and “9 Circles” explore whether the actions of its central characters are meaningful or absurd.
Success assured? Critics and others discuss whether the MFA’s new wing, The Art of the Americas, lives up to the hype generated by the opening in the latest Judicial Review.