Month: March 2012
Israeli Stage’s readings are consistently the best attended in the Boston area, thus demonstrating that there is a great appetite for Israeli culture beyond folk dance and hummus.
Read MoreThe concert’s other purely orchestral work, Mendelssohn’s “Scottish” Symphony (no. 3), came after intermission and offered Mr. Valcuha the opportunity to demonstrate his command of large-scale symphonic structure. Let’s just say he flexed some pretty impressive muscle.
Read MoreAfter hearing just the first of William Kentridge’s six Norton Lectures, I have no doubt that this series of “Drawing Lessons” will be one of the most entertaining and enlightening artistic events of 2012.
Read MoreAlthough there is room for improvement, the singers engage each other, as well as the orchestra, with vigor and skill, making for a satisfying “Snegurochka” in Russian.
Read MoreWAM’s Chamber Music Series is a model for what chamber music performance ought to be: excellent musicians performing in a small space with a rather informal air to the proceedings.
Read MoreThe first in a series of Fuse podcasts. This inaugural (and experimental) outing samples the best in underground music.
Read MoreThe Dropkick Murphys shipped up to Lowell for their 2012 St. Patrick’s Day concert, and the Arts Fuse was there.
Read MoreSection by section, Cantata Singers & Ensemble are as good as choral groups get, which in this town of dozens of choruses, says quite a lot.
Read MoreLiterally seating himself under a spotlight at the center of the stage, celebrated choreographer Bill T. Jones indulged in a celebrity interview with himself, sharing moving and mundane autobiographical anecdotes while his company danced in abstract arrangements around his desk for exactly 70 minutes.
Read MoreMany countries, including our own, still have not officially acknowledged that this genocide actually occurred and who was responsible. New England, and specifically the greater Boston area, has one of the largest Armenian populations in the nation.
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