Month: March 2012
In “Gatz,” F Scott Fitzgerald’s words come at the audience like bullets because they are so relevant to so much of American life today. And create the kind of catharsis, that peculiar combination of pity and fear, that is the mark of truly great theater.
Read MoreIt’s film festival time! That means you need to stretch, exercise, and drink plenty of liquids because there’s a lot to see. The month is capped with an amazing line up of 66 features at the Independent Film Festival of Boston.
Read MoreFor William Kentridge history accrues, falls dead, is born, washes up, piles up, and may be artfully arranged, but the most powerful place that this accretion might happen is in the artist’s studio, which is a metonym for the human mind.
Read MoreApril brings the Together Electronic Music Festival. I’ve listed my highlights.
Read MoreEven though she covers herself with demurely crossed arms, her gaze could burn holes through fabric. If it looks like the artist had a predilection for strong, bosomy girls, well, there’s a reason for that.
Read MoreDirector Robert Lepage’s “The Andersen Project” is a masterful meditation on the agonizing process of artistic creation. Few scripts bring the mixed essence of opportunism and magic of show biz together so effortlessly.
Read MoreThe Arts Fuse has added some new features that make us easier to read and share.
Read MoreClaude Lanzmann is a great raconteur who’s honed his narrative skills as a veteran journalist. His memoir is exuberant and provocative at its best; bombastic and superficial at its worst.
Read MoreChameleon Arts Ensemble’s program, “into unison with romantic spirit,” contained more rarities than many chamber music groups perform in a season.
Read MoreThe Fuse’s man in Europe is a museum junkie. During the second half of 2011, he got to lots of new destinations, and he found new museums almost everywhere he went. This installment is about Finland, Estonia, Latvia and Belgium.
Read More