Steve Provizer
Unlike musicians who operate on the surface and create a beautiful veneer, pianist Lennie Tristano’s music asks harder questions.
Read MoreDrawing the Line is grounded in the work of ethicists and psychologists. Its prose is clear and its arguments systematic. But every avenue of investigation only opens up another pathway that ends as a cul-de-sac or doubles back on itself.
Read MoreIt is about time that the filmmaking industry is forced to seriously grapple with issues of sustainability.
Read MoreI consider composer Frederick Rzewski the most profound and persistent explorer of how to address injustice through the use of sophisticated compositional tools.
Read MoreLocked-Out MET Stagehands and Skilled Craftspeople ,Joined by Union Supporters, Launch First-of-Its-kind Interactive “Virtual Picket Line.”
Read MoreArts Fuse writers continue their countdown of great music celebrating its 50th anniversary this year, and this month’s list includes Leonard Bernstein, Leon Russell, The Faces, Carla Bley, and Rod Stewart.
Read MoreBoston’s independent theatres and music venues are joining thousands from around the country to call on the Small Business Administration to immediately release Shuttered Venue Operators Grant funds.
Read MoreEach month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Read More“I don’t work the system anymore, except as a last resort: I aim instead to bypass it. The better I have gotten at circumventing gatekeepers, the more successful my writing career has been.”
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Arts Commentary: Separating the Maker from the Made, the Doer from the Doing
It is natural to believe that there is (or should be) a close connection between the personality and the work.
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