Music of Machaut, the teenaged Mozart, and three vibrant American composers, plus a remarkable book about Charles Ives and his works.
Scott Metcalfe
Fuse Concert Review: A Match Made in Heaven — A Far Cry and Blue Heron
I look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
Concert Review: Genius Finally Getting its Proper Due — Blue Heron’s “Ockeghem@600”
The first in what is surely going to be Blue Heron’s memorable series of testaments to the neglected brilliance of composer Johannes Ockeghem.
Fuse Concert Review: The Calming Artistry of Blue Heron
Simply put, Blue Heron is one of the best perks of concertgoing in 21st century Boston.
Fuse Concert Review: Blue Heron, A Superbly Classy Renaissance Choir
Blue Heron explores a rarely performed repertoire with a choir made up of sensational soloists.
Classical Music Review: Green Mountain Project — Monteverdi at his most Audacious
Green Mountain Project has done everything right, paying careful, historically informed attention to pitch, transposition, tempi, number of performers, and tuning.
Classical Music Review: The Sound of Blue Heron — Pleasure Aplenty
Several merits distinguish Blue Heron’s concerts, the most salient being the always-gorgeous singing of this pre-eminent Renaissance vocal choir.
Concert Review: The Song of Songs and Songs of Love in Sixteenth-century Spain
The vocal ensemble Blue Heron closed its season with “a marvelously expansive concept of the divine” in a program of 16th-century Spanish music based on or inspired by the Song of Songs.