Scott Metcalfe
In this performance, Blue Heron conveyed enough merriment for Christmastime and beyond.
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Music of Machaut, the teenaged Mozart, and three vibrant American composers, plus a remarkable book about Charles Ives and his works.
Read MoreI look forward to more collaborations between these two ensembles, who were born to make, as they say, really beautiful music together.
Read MoreThe first in what is surely going to be Blue Heron’s memorable series of testaments to the neglected brilliance of composer Johannes Ockeghem.
Read MoreSimply put, Blue Heron is one of the best perks of concertgoing in 21st century Boston.
Read MoreGreen Mountain Project has done everything right, paying careful, historically informed attention to pitch, transposition, tempi, number of performers, and tuning.
Read MoreSeveral merits distinguish Blue Heron’s concerts, the most salient being the always-gorgeous singing of this pre-eminent Renaissance vocal choir.
Read MoreThe vocal ensemble Blue Heron closed its season with “a marvelously expansive concept of the divine” in a program of 16th-century Spanish music based on or inspired by the Song of Songs.
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