Paul Robicheau
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreSurprisingly, for a band whose hypnotic music throughout the documentary provides a continuum with menacing and meditative extremes that mesh with near-mathematical discipline, it’s the human elements that leave the greatest impressions..
Read MoreAt House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
Read MoreOnce the original Roxy Music core took the stage with their nine supporting musicians, most concerns melted into 100 sublime minutes of music.
Read MoreThe veteran band from Louisville, Kentucky, kicked into the millennium with a wild and woolly mix of Southern rock, alt-country, space-prog, and electro-funk that grew weirder over time.
Read MoreA relatively short-but-sweet night that struck just enough highs and no real lows – as long as one accepts that Van Morrison gives more heed to covers than his own hits.
Read MoreTo some degree, everything fit under the resilient umbrella that the late George Wein raised at the edge of Newport Harbor.
Read MoreThe Newport Folk Festival’s biggest secrets were cleanly hidden and tightly executed with the day-capping revelations of Paul Simon and Joni Mitchell.
Read MoreNorthlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
Read MoreAs the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
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