Paul Robicheau
Damn straight, English singer/songwriter Beth Orton was back in the room – after a six-year absence.
Read More
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read More
Surprisingly, for a band whose hypnotic music throughout the documentary provides a continuum with menacing and meditative extremes that mesh with near-mathematical discipline, it’s the human elements that leave the greatest impressions..
Read More
At House of Blues, Fontaines D.C.’s brooding, bristling music was offset by shifting swatches of amber and purple lighting amid the shadows, casting the musicians in mysterious terms.
Read More
Once the original Roxy Music core took the stage with their nine supporting musicians, most concerns melted into 100 sublime minutes of music.
Read More
The veteran band from Louisville, Kentucky, kicked into the millennium with a wild and woolly mix of Southern rock, alt-country, space-prog, and electro-funk that grew weirder over time.
Read More
A relatively short-but-sweet night that struck just enough highs and no real lows – as long as one accepts that Van Morrison gives more heed to covers than his own hits.
Read More
To some degree, everything fit under the resilient umbrella that the late George Wein raised at the edge of Newport Harbor.
Read More
The Newport Folk Festival’s biggest secrets were cleanly hidden and tightly executed with the day-capping revelations of Paul Simon and Joni Mitchell.
Read More
Northlands lacks the infrastructure, diversity, and history of some of New England’s finest music fests, but its two-day debut provided a rustic oasis for jambands.
Read More
Arts Remembrance: In Memoriam — Tom Stoppard