Mark Favermann
Ocean Filibuster draws on a marvelous fusion of myth, song, free verse, and science to explore why we are standing at the frightening edge of the cliff of our planet’s survival.
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Clearer heads conclude that there will be plenty of cultural space for both physical art and this highly monetized new digital art.
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This is an invaluable gathering of interviews, an impressive excavation of institutional memory that not only recognizes the MFA’s grandeur but its many deficiencies as well.
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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
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Dull, flat, and boring, with no discernible personality, the Olympics 2020 graphics made no impact on anyone other than, perhaps, its creator/developers and maybe a (very) few members of the host committee.
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Recently, a number of public artworks have been charged with memorializing ghosts or “specters” of the past.
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Perhaps we need to call on Sherlock Holmes in order to resolve the 31-year old “no end in sight” Gardner heist?
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All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.
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Today’s increasingly heated argument about architectural preservation revolves around discerning which pieces of the past are worth saving, which buildings are valuable to our present and future.
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Visual Arts Commentary: Reordering Design Priorities Through Biometric Research
The cognitive architecture approach espoused by the Human Architecture and Planning Institute is applying a welcome new paradigm that responds in a fresh way to the built environment.
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