Ettore Sottsass saw design as more than just an aesthetic achievement: it ideally served up an indelible experience.
Mark Favermann
Visual Arts Review: “Vibrations: A Sound Experience” at Boston Cyberarts Gallery
With Vibrations: A Sound Experience, Boston CyberArts continued to live up to its demanding mandate — to expand our artistic horizons.
Visual Arts Commentary: A Tale of Two Bridges
Two stories about how a public process, because of politics, can make it very difficult, and costly, to connect two points.
Visual Arts Review: Stella Prime — Prints from an American Master
The stunning show Frank Stella Prints offers visual entertainment at its most exhilarating.
Visual Arts Review: “Matisse in the Studio” — Collectibles and Creativity
We are given a priceless opportunity to see how Matisse’s mind worked and the ways his creative process unfolded.
Visual Arts Commentary: Urban Branding — An Expression of Civic Character
Thoughtful Branding underscores a community’s sense of place.
Visual Arts Commentary: The ICA — The Limits of Being an Icon
The nagging question: why didn’t the ICA didn’t create a building that offered options to be developed vertically?
Visual Arts Review: London’s Design Museum — An Inspiring Experience
London’s Design Museum is now one of the major venues in the world for experiencing the art of design.
Visual Arts Review: A Tale of Two Buildings — The New Balance Headquarters and the Novartis Research Complex
Two looks at sculpture as architecture and architecture as sculpture.
Visual Arts Review: Augmented Reality — The Future Is Now
Technology is becoming a tool for artists to mastermind aesthetic and social interventions.
