Jon Garelick
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read MoreIn the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read MoreArts Fuse jazz critics offer their favorite performances from the Bird.
Read MoreIn the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
By digging deep into Thomas McKeller, the Gardner Museum has not only resurrected a lost figure (and lost music, and “lost” art) but revealed and contributed to an ongoing history.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Read MoreArts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Jazz Commentary: Charlie Parker — The Eternal Radical at 100
I’m still not sure I heard what’s revolutionary about Charlie Parker’s recordings — they’re very old news by now. But I warm to the expressions of unique genius, a beauty that in itself is radical.
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