The War Is Never Over is a compelling way to appreciate the importance of a music icon, to understand why Lydia Lunch’s work matters.
Those who have followed Throwing Muses’ Kristin Hersh’s career over the past three decades are the target audience for this memoir. But she is a good enough writer to interest people who may never have listened to her music.
Nashville songwriter Aimee Mayo’s memoir offers an eye-opening perspective on the problematic treatment of women in the country music industry.
Music fans who miss, or missed, the long party that was mainstream music in the mid-’80s will be skillfully taken back to fast times in Can’t Slow Down.
Flipping through this volume will help readers understand just how much the internet and consumer technology has changed the world of arts and culture.
Journalist Lisa Robinson deconstructed the idea of the girl who could hang with the guys (and laugh off their casual misogyny) long before Gillian Flynn immortalized the Cool Girl in Gone Girl.
Fangirls is a funny and poignant survey of an essential coming-of-age experience.
With the beguiling Remain in Love, Talking Heads drummer Chris Frantz puts a refreshing spin on a familiar genre.
In this satisfying memoir, Go-Go’s bassist and quintessential rock chick Kathy Valentine shares her experiences as a member of the most successful all-girl rock band of all time.