Chandos
John Wilson and the Sinfonia of London are one of the new decade’s most exciting partnerships; Javier Perianes’ album with the Orchestre de Paris is quite clever; Is Liszt’s music trash? The debate continues.
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A noteworthy recording of Ernst von Dohnányi’s Symphony no. 1; as usual, Harry Christophers and the Handel & Haydn Society play Haydn with their customary elegance and character; a celebration of British composer Eric Coates – his music’s impossibly fresh tunefulness, striking progressions, and vividly idiomatic orchestrations.
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A can’t-miss album of Bartók Ballets, Thierry Fischer continues to do right by the symphonies of Saint-Saëns, and a spirited recording of the “last great symphony in the German Romantic tradition.”
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Vasily Petrenko’s Elgar disappoints, Edward Gardner’s Mendelssohn excites, and Alain Lefévre’s Paris is delights.
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A freshly thought through, energetically executed Berlioz disc; a lovely album that contains excellent performances of underperformed and unfamiliar repertoire that deserves to be heard and championed; a fine, sometimes inspired account of Respighi.
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Francois-Adrien
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Fine recordings of symphonies by neglected American composers Florence Price and George Antheil; and a curious album from Cornelius Meister and the ORF Radio-Sinfonieorchester Wien.
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Pianist Jean-Efflam Bavouzet delivers some fine Mozart; conductor Hannu Lintu brings rhythmic energy and textural transparency to the music of Witold Lutoslawski; Ludovic Morlot and the Seattle Symphony Orchestra don’t do right by Berlioz.
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Violinist Viktoria Mullova supplies one of the year’s most programmatically-cohesive and thoughtfully-executed albums.
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Four new albums: the standouts include the finest Andris Nelsons/BSO Shostakovich collaboration to date and the Neave Trio’s wonderful new French Moments.
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