Bru Zane
Much praised by Berlioz and others, this Italian opera (composed for the great mezzo María Malibran) brings a notable female composer out of the shadows.
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By Ralph P. Locke An 8-CD set of diverse and enjoyable works, brought back from obscurity by Aude Extrémo, Roberto Prosseda, and other major performers. Compositrices: New Light on French Romantic Women Composers Cyrille Dubois and Yann Beuron (t), Aude Extrémo (mz), Claire Le Boulanger (fl), Roberto Prosseda, Alessandra Ammara, and Nathalia Milstein (p), and…
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With Egyptian-born Amina Edris in the title role, Massenet’s opera engages the musical and theatrical imagination with its rich characterizations of Greek mythic adventures.
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Latvian soprano Marina Rebeka, under conductor Christophe Rousset, shows why Berlioz and others loved “La Vestale”.
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Spiffy discs of French music featuring the Orchestre National de Lyon led by Nikolaj Szeps-Znaider and François-Xavier Roth and Les Siècles.
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Meyerbeer’s Robert le diable paved the way for major works by Meyerbeer himself, Halévy, Verdi, Wagner (in German), Saint-Saëns, Massenet, and others — and this splendid performance shows why.
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A one-hour opera that the world forgot — a world-premiere recording of Saint-Saëns’s Phryné.
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A major contribution to the recorded repertory, making clear just how effective Saint-Saëns’s The Yellow Princess could be on stage, its nowadays objectionable title repudiated by its varied and nuanced approach to the evocation of the exotic.
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Attention is being paid today to talented composers who have been sidelined or disdained because of their race, ethnicity, religion, or sexual orientation. Reynaldo Hahn qualifies on several counts.
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The world-premiere recording of a first rate production of a brilliant, fantastical opera, unstaged and unheard since 1914.
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