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The Steve Kuhn – Sheila Jordan partnership has been one of the luckiest things ever to happen to either of them, or for us as listeners.
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Chasing Rembrandt is a small show, probably quickly assembled to complement the TheaterWorks production. For curious viewers, though, it raises a number of provocative questions.
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A superb new translation in one volume of the two Chéri novellas, regarded as Colette’s masterwork.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreIt was with great sadness that I learned that on the day after Christmas 2011 pneumonia carried off an underappreciated giant of jazz, saxophonist and composer Sam Rivers. His 88 years took him on a long journey from his midwestern origins to decades here in Boston and later in New York to a rich late period in the somewhat improbable locale of Orlando, Florida.
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Odyssey Opera revels in the glittering wit and touching moments of this full-length chamber opera by Mario Castelnuovo-Tedesco, better known for his Hollywood film scores and some wonderful guitar pieces.
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As the age of COVID-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Do we feel the environment breakdown in our gut? Will people looking back see art that conveyed the existential threat of the emergency?
Read More“Notebooks, English Virtuosi, and Early Modern Science” makes a profound claim about the need for cognitive restructuring in the face of information overload.
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Music Commentary: Nanci Griffith vs. the “New Yorker”
It was the sniping tone that made the article perplexing. I would almost call it perverse. Why treat so cavalierly — even shabbily — a deceased, highly esteemed, Grammy-winning artist?
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