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In practical terms the Virtual Reality helmet has still not lived up to its potential. Another device has come along, however, that can convey as much information, though without the total visual immersion of Virtual Reality. This is nothing other than the humble cell phone . . . By Gary Schwartz. In 1997 I was…
Read MoreScreening at the Coolidge Corner Theatre on October 2nd, the Bolshoi’s Bolt is a curiosity worth exploring, a meditation on the Russian past that could only be produced after the nightfall of Stalinism. After all, in some eyes composer Dimitri Shostakovich may have been a stooge, but he was never an obtuse one. Reviewed by…
Read MoreA new book gives a philosophical analysis of American culture’s obsession with nonsense.
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Of all the biographies of female musicians I’ve read in the past year, Last Chance Texaco is the most transparent about the vagaries of fame.
Read MoreSponsored by the Harvard Writing Program and the Harvard Summer School, the event was introduced, perhaps humorously, to the audience as a “meeting of German–American relations.” In reality, it was a more of a showcase in differences about each country’s historical imagination.
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Our critics salute the year’s outstanding productions.
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Compiled by Bill Marx As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in. Film The Arts Fuse…
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Canadian singer/songwriter Allison Russell’s Outside Child made two lists. And so did Little Simz’s Sometime I Might Be Introvert.
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This is one of the zippiest, most life-affirming opera recordings I have heard in a long time. Well, this puts it a bit too blandly, because the work’s social satire also targets the smug self-satisfaction and careless cruelty of the powerful.
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A trio of Latin-themed jazz albums that range from the best of the year to an uneven debut effort.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler