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Indie Folk/Rock EP Review: Kate Bollinger — Music for Our Melancholy Moment

August 24, 2020
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Partially completed before the pandemic hit and assembled during quarantine, the EP feels uniquely suited to ease our collective glumness.

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Pop Review: Glass Animals Lose Their Voice

August 12, 2020
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The Oxford band’s third album dispenses with personality in favor of bland trap pop.

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Jazz Recording Review: “If There Are Mountains” — An Instant Classic

June 17, 2020
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There’s much to admire in If There Are Mountains, modulated pathos as well as subtle joys.

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Visual Arts Commentary: Boston’s Historical Memorial to Black Lives Vandalized

June 15, 2020
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Boston’s most celebrated piece of public art was one of 16 monuments irresponsibly defaced during the recent protests.

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Theater Review: Penny Arcade — Provincetown, Puritans, and the Pandemic

September 29, 2020
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I’ve hated enough people,” Penny Arcade confessed, “I can’t hate anyone new until 2022.”

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Rock Album Review: Phish — Comfortably Optimistic at Home

April 6, 2020
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Sigma Oasis is one of Phish’s better albums since the group reunited in 2009 after a five-year breakup.

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Book Review: “The Fifth Risk” — No Citizens, Only Consumers

October 28, 2018
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Whether through disregard, willful ignorance, or strategic elimination, Michael Lewis gives us a glimpse of how parts of the government are being hollowed out.

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Film Review: “The Bookshop” — A Closed Book

September 1, 2018
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Reading is treated as a commodity, namedropping literary titles as a way for middlebrow film audiences to feel proud of themselves for being in the know.

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Film Review: Rita Hayworth Centennial Celebration Winds Down

August 25, 2018
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The Lady from Shanghai is a black comedy of manners, a “film noir” near-masterpiece.

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Theater Preview: Voices of Women Veterans on Northern Stage

March 21, 2019
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The women whose voices make up the play’s dialogue are Vermont or New Hampshire residents who have sought medical care at the local VA hospital.

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