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BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
Saturday’s attendance hopefully warms the hearts of the BSO’s management. Not only was the house very full, but the assembly also included a healthy proportion of younger heads.
On Sunday, the Boston Symphony Chamber Players celebrates its 50th birthday with a typically brilliant program, one that features four world premieres.
Given that these two virtuoso pianists were in a jubilant, hometown mood, this was a concert that could hardly fail to please.
If, as a commemorative volume, “Fifty Poems” introduces readers to sample the German poet more extensively, either in the original or in the range of translations currently available, it will have accomplished a valuable task.
Bertrand Mandico’s “She is Conann” left me buzzing, high on a euphoria of aesthetic excess that represents the true legacy of New Queer Cinema.
Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
As good an interpreter of large-scale forms as he’s becoming, Andris Nelsons has always been a terrific conductor of new music.
For recorded sound, for brilliance of orchestral execution, and for interpretive concept, Janowski is one of the 21st century’s best Wagnerians.
Music Commentary: Thoughts on the Boston Symphony Orchestra’s 2017-18 Season
On paper, at least, the upcoming season of the BSO is a bit of a letdown: cautious, unthreatening, comfortable.
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