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The Boston Philharmonic Orchestra was violinist Liza Ferschtman’s equal partner for much of the performance, imbuing Alban Berg’s dense orchestral writing with warmth and shapeliness
Read MoreBottom line: “Live at the Montreux Jazz Festival 2023” captures the manic, mercurial energy that transformed the man born James Osterberg into the legend that is Iggy Pop.
Read MoreGiven the current state of the world, we need more shows that not only entertain, but reflect the importance of community. And, if those programs accurately portray a close-knit group of people that has been misrepresented, all the better.
Read MoreStripped of trip-hop trappings, Beth Gibbons’s fragile voice commanded through a ghostly filter effect as she sang with edgy emotion, peaking in the tagline, “How can it feel this wrong?”
Read MoreMore popular than The Beggar’s Opera, J. F. Lampe’s goofy opera of 1737 receives its first complete recording, and the performance is splendidly, subtly humorous.
Read MoreTrombonist Steve Davis says he never strays very far from the blues, and he proves it with this fine album.
Read MoreContinuous Creation is a deceptively slight book from an incontrovertibly substantial poet.
Read MoreThis session should appeal most to those who love the crashing, intemperate sound of a brass big band.
Read MoreExpert performers and taut direction make this Cloud 9 a natural high.
Read MoreTrumpeter Jason Palmer is a master of rhythmic displacement.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner