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Meyerbeer’s Robert le diable paved the way for major works by Meyerbeer himself, Halévy, Verdi, Wagner (in German), Saint-Saëns, Massenet, and others — and this splendid performance shows why.
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The brutal, sometimes sickening stories collected in “#SayHerName” are as much about the love, strength, and determination of the women who’ve lost female family members to police violence as they are about the circumstances of the victims themselves.
Read MoreIf anyone needs more evidence that graphic memoirs are the equal of purely literary ones, Invisible Ink closes the case for good.
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With the release of her second solo album, Tal Wilkenfeld has become more than a bass virtuoso: she’s a sensitive songwriter, expressive singer, and capable guitarist.
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Uplifting tunes for the aspiring curmudgeon you didn’t know you’d already become
Read MoreLester Bangs insisted that, at its best, rock was an act of pure rebellion, a liberation from the prison of respectability.
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Africa’s Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder.
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A look at three exhibitions by New England artists who are concerned about climate change and gun violence.
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As far as tour openers go, the concert on Friday presented no signs of a band holding back or slow to gain speed.
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Arts Commentary: The “Maleficent” Syndrome — Making the Villain the Hero
Perhaps because real life is so painful, so tragic, we cannot bear to see evil in full flight. Evil must be relative, it must fly on wings of rationale, on a broomstick of retribution.
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