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The music works. The session is among old friends. The rhythm section cooks and every solo holds one’s attention.
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A judicious mix of jazz classics, standards, and Corea compositions, Live is a blast.
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What elevates An Iliad beyond the routine is MaConnia Chesser’s dazzling performance as The Poet.
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Singer and songwriter Robin Lane talks about the genesis of her new album. She will be performing live around New England with a new ensemble.
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In The Great, Tony McNamara proves that period pieces that pit conniving yet sympathetic women against tyrannical men can make for a kind of refreshingly cathartic entertainment.
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There’s no real engagement with the ’80s, so this attempt at horror/comedy is politically and emotionally inert, profoundly unfunny and pathetically un-scary.
Read MoreNourishments is an emphatic musical statement from a seasoned bandleader, returning to the front of a traditional quintet.
Read MoreEvery moment of Kyary Pamyu Pamyu’s album “Nandacollection” exudes bliss and is a blast to listen to. It is bubblegum with more than a touch of brilliance.
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Azizler is a slow burn; unfortunately, the payoff isn’t worth the wait.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues