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The intimate emotions captured by Hannah are enhanced by Lomelda’s ability to be both revelatory and inscrutable in the same breath.
Anniversaries are both the bane and the lifeblood of the classical music industry as, for better or worse, three new box sets remind.
This biography provides a solid look at Jon Hendricks’s life and career; a well-rounded picture that is neither a hagiography nor a hatchet job.
Tony Bennett was not only a singular artist. He was, by all accounts, a mensch: an early supporter of the civil rights struggle and participant in innumerable benefits, he was a generous mentor.
Saariaho’s music is often lush and vibrant, to be sure, but it also can lose track of its musical purpose and meander excessively from time to time. Not so in “Circle Map.”
Yoko Ono has always been the kind of artist more interested in getting into your head than convincing you to occupy hers.
The sense of place, the passage of time, the death-haunted imagery, and the coolly rhythmic verse gives Lucinda Williams’s songs their traction.
Kelly Green and her trio are essentially mainstream players, but they explore a lot of challenging territory within that framework.
September releases from Kris Davis and James Brandon Lewis are sure to be among the best jazz albums of the year.
At 75, Dave Liebman pays tribute to John Coltrane by still doing what Coltrane would surely have wanted him to do: to look within and find truths that are a wellspring of rewarding and challenging music for the rest of us.
The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues