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A fairly strong showing for Ann Beattie. Readers who know Charlottesville will probably have a ball with this collection of short stories, which spotlight the town’s upscale, professional residents.
Read More“Music just comes, you know? You’re harvesting potatoes, and something happens and you have to put it immediately on paper.”
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“Honest weight” has more to with like karats of gold, maybe. The “weight” being the value of something. It kind of alludes to that a little bit.
Read MoreSeeing Exhibition is like spying through a window on our most glamorous neighbors moving about their flat: it’s kind of kinky, kind of fun.
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It’s a work that shifts gears often, which is not in itself a bad idea for a book about a famed shape-shifter.
Read MoreMembership in academe comes down to those who never wanted to leave the comforts of college or those who see it as a launching pad for scoring big bucks.
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Recently, some artists have come out of the closet and put their prog hearts on their sleeves with new recordings that celebrate the heyday of progressive rock.
Read MoreIn the wake of the horrors of last week, Jazz Week 2013 comes as almost an act of defiance, an insistence that life will go on in all sectors of the Boston community.
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Blue Bayou’s story deserves to be told and heard. But rather than focus slowly and intently on its central crisis, the script kneads in a dizzying array of additional threads and sidelines.
Read MoreAssaf Gavron’s sweeping, smart, often funny new novel spins a satiric update on Exodus.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues