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Robert Forster was apparently spot-on when he proclaimed that The Go-Betweens “were too good for the bloody charts.”
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Through story, song, missives, and popular gibes at authority, the Boston Camerata program looked at kings remembered for their great deeds and those commemorated for their bumbling idiocy.
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In this engaging conversation, Elizabeth Howard speaks with Sonya Chung, the director of Film Forum in New York, about the intersection of film and literature, the relevance of the Oscars, and the impact of independent films.
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There was no doubt guitarist Chuck Garvey was already up to the task, sealing the grit and heart necessary to return moe. to jam-bound heights.
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Poet Helena Minton deserves our attention; her verse is grounded in a close observation of nature and a love of language.
Read MoreThe filmmaker is annoyingly passive and star-struck, as the documentary’s subject, Ricky Jay, speaks to his chosen agenda: a wish to tell stories about his mentors and favorite magicians.
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Vinicius Cantuária and band offered a night of close-listening interaction between musicians with ears wide open.
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Odyssey Opera revels in the glittering wit and touching moments of this full-length chamber opera by Mario Castelnuovo-Tedesco, better known for his Hollywood film scores and some wonderful guitar pieces.
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Everyday Life and Other Odds and Ends is admirable because it takes contemporary theater into fresh territory — the slow paralysis of the body and the demands this decline makes on caregivers.
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It’s worth pointing out that Martin Scorsese’s documentaries, especially his music-based ones, can be as powerful as his fictional work.
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