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Berman finds a submerged psychic and cultural stratum in Japanese culture that might supply possible antidotes to the US’s consumerist and individualist fevers.
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John Nelson’s La Damnation de Faust is a triumph; you will rarely encounter Villa-Lobos played with greater understanding or in better sound than here; Paavo Järvi and his orchestra’s survey of Messiaen orchestral works early and late is resplendent.
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What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.
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This fascinating documentary should be compelling to guitarists and to jazz fans in general.
Read MoreChekhov’s jokes are the inevitable by-products of his characters confronting life’s absurdities; Christopher Durang is content to wring laughs out of wacky situations and cartoon caricatures.
Read MoreThe BSO played with palpable enthusiasm. Andris Nelsons conducted with characteristic energy. There was, by the end of the evening, certainly, quite a bit about which to be happy.
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The Kossoy Sister’s last area performance was at the 2012 Newport Folk Festival. Now both living in Guatemala, the pair are back for a Saturday matinee appearance at Club Passim.
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The disconnect between the Amsterdam of the past that is revisited and the scenes of life in the city today dramatize the fragility of memory and its erosion.
Read MoreBut on to the bliss of the first half, and I don’t use the word “bliss” lightly. In every respect, John Scofield, Steve Swallow, and Bill Stewart are one of the most cohesive units in jazz, and their hour together was superb. By Steve Elman. John Scofield was the headliner last night, but it seems…
Read MoreMason Bates’ music isn’t afraid to smile. If it doesn’t always run deep, it’s at least always engaging and pleasant to encounter.
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