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An Arts Fuse regular feature: the arts on stamps of the world.
In the case of a scene set in the Lodz Ghetto, the lineup of characters on the way to the concentration camps veered, for me, close to Holocaust porn.
This fascinating documentary should be compelling to guitarists and to jazz fans in general.
Chekhov’s jokes are the inevitable by-products of his characters confronting life’s absurdities; Christopher Durang is content to wring laughs out of wacky situations and cartoon caricatures.
Once the original Roxy Music core took the stage with their nine supporting musicians, most concerns melted into 100 sublime minutes of music.
Carrie J. Preston refuses to characterize these cultural exchanges in moralistic or narrowly political terms.
The BSO played with palpable enthusiasm. Andris Nelsons conducted with characteristic energy. There was, by the end of the evening, certainly, quite a bit about which to be happy.
Berman finds a submerged psychic and cultural stratum in Japanese culture that might supply possible antidotes to the US’s consumerist and individualist fevers.
John Nelson’s La Damnation de Faust is a triumph; you will rarely encounter Villa-Lobos played with greater understanding or in better sound than here; Paavo Järvi and his orchestra’s survey of Messiaen orchestral works early and late is resplendent.
Léa Seydoux claims the spotlight as the title character in Bruno Dumont’s pithy and entertaining France, giving a performance that’s cunningly calibrated to mesmerize.
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