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The people of Annawadi live in conditions so bleak that “Behind the Beautiful Forevers” evoked, for one Indian reviewer, Primo Levi’s depiction of life in concentration camps.
Although he has set himself an ambitious task with all that is happening in “The List,” Martin Fletcher has complete command of this material and has created a complex novel that is also a good thriller.
Let’s see if Prayers for the Stolen is selected as Mexico’s Academy Award nominee. It’s a long shot, given that this is a film that tells so much of the truth.
In her novel Pizza Girl, Jean Kyoung Frazier has given us an exhilarating spin on a long line of road-rebel mothers.
This album lacks the desperation, the immediacy, the sheer power that made Sleater-Kinney essential in its original decade.
This is a beautifully produced book, replete with illustrations. Full-page photos of evocative landscapes are supplemented by both maps and smaller shots detailing architectural features.
Apollinaire Theatre Company has expanded the possibilities of finding first-rate outdoor Shakespeare in the Boston area.
A stirring serving of contemporary classical music from Hub New Music.
Years (or would that be decades?) ago, editors had the self-respect to be embarrassed by critical incompetence, perhaps because there was the assumption that knowledgeable people were reading the paper. Those discriminating readers are long gone from the marginalized arts section of The Boston Globe . . . By Bill Marx I haven’t seen the…
Film Commentary: Provincetown Film Festival — A Very Good Year
John Waters and I were in sync with our favorite in this year’s festival.
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