Search Results: BUH-BYES
The rarely staged Oberon is easy to love and will fascinate admirers of early nineteenth-century music.
Read MoreIt is encouraging that the list of recommendations for October isn’t filled with musicals. Are straight plays back? I wouldn’t count on it in this economic climate. So let’s bask in the chance to hear words without music.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreBoston Conservatory’s New Music Festival is inspiring a series of critical and speculative commentaries from Fuse Jazz Critic Steve Elman. Here is the second, which focuses on The Fringe and some of the qualities that make the trio special in the world of jazz.
Read MoreAs the age of Covid-19 finally wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. Please check with venues when uncertain whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read More“I really thought that I could sustain a life in music, but perhaps I’d end up in Las Vegas backing Tom Jones or something.”
Read MoreBest Food Writing 2017 presents, as the series always has, a veritable buffet of pleasurable reading for the foodie.
Read More“Our intention was something other than being famous. When you create art from that place, a song is going to connect with people.”
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Film Anniversary: From Punchline to Plausibility — The 50-Year Transformation of “Soylent Green”
“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.
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