Posts
On Sunday, the Boston Symphony Chamber Players celebrates its 50th birthday with a typically brilliant program, one that features four world premieres.
Just in time for Valentine’s Day, Tarrus Riley and his Dean Fraser-led Black Soil Band are touring, and the group is coming to Revere’s Wonderland Ballroom tomorrow.
Aaron Swartz is indeed a martyr, but there’s more here. The film identifies an ongoing battle over control of information as much as it explores a troubled life that ended far too soon.
Chameleon Arts Ensemble’s rather lengthy program was like a huge feast, ending with the sumptuous Saint-Saëns’ Sonata No. 1 in d minor.
There is more than one way to tell the truth, “The Good Lord Bird” reminds us again and again, and many reasons to cloak it in humor.
Each of Susan Metrican’s pieces is coy and playful. Moving through the gallery is an adventure, visually and spatially.
When the septuagenarian protagonist of this novel finally gets out of her claustrophobic apartment, everything changes.
BSO’s conductor emeritus Bernard Haitink may be best known for his interpretations of Austro-German repertoire, but, on Saturday night, he channeled his inner Francophile.
The “Cambridge Jonson” volumes are available online, and the site is a bibliographical joy to behold, Ben Jonson’s plays, poems, masques, and prose arranged in chronological order and in a searchable format.
Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”
Arts Fuse writer Tim Jackson recalls the impact of being in the audience of the “Ed Sullivan Show” fifty years ago.
Read More about Music Remembrance: February 9th, 1964 — “Hey, You Kids Want Tickets to See the Beatles?”