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Fuse Tech interviews will look at at start-ups from Greater Boston that are using technology to invigorate the future of the arts, culture, and entertainment.
These challenging LPs offer opposing, but equally thrilling, aural/cinematic adventures: one is an overblown grindhouse flick, the other a wondrous fantasy feature.
“On Leave” is a worthwhile novel that deserves this English revival because it convincingly conveys the alienation felt by soldiers who return home on a brief leave from hostilities taking place abroad.
The trio of writers has flattened Stephen King’s gaggle of high school teens into two-dimensional clichés, devoid of any adolescent intensity.
German architect Hans Scharoun’s compelling story, as both a man and an artist navigating perilous times, has been neglected (aside from architectural historians and seriously informed students) until relatively recently.
A critic can only wish pianist Sean Chen well in what bodes to be a spectacular career.
It’s sort of like someone snatching the epic novel you’re a few chapters from the end of out of your hands and subsequently run off cackling into the sunset, only to allow you to finish it in a year.
Does the distrust of (even a little) narrative ambiguity by North American dramaturgs and audiences mean that international plays must be made more ‘cinematic’ when they are produced here?
Most of HBO’s “The Normal Heart” is a pretty decent adaptation of the 1985 stage script, with some good things added, including an effective pre-credit section set on Fire Island in 1982.

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