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If you can’t make the Montreal International Jazz Festival this time, put it on your bucket list.
One of drummer Ra-Kalam Bob Moses’s most resonant teachings was that it is better to find the infinite possibilities within a single idea than to keep changing ideas every ten seconds.
His art’s sunny, unhurried elegance, so at odds with its message, suggests that Finlay is taking a Swiftian rhetorical stance.
If drummer Ginger Baker’s staring into the abyss, he’s doing it with defiance and a good beat.
What I’ll remember most is how the BCE’s various choral pieces seemed custom-made for the Hayden Planetarium’s celestial projections, and how, for an hour, the so-called real world faded away.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
The haughty, witty Gore Vidal, my role model, was never happier than when going against the madding American populace.
Lift explores so many divergent issues that it would have been easy for the filmmakers to only give lip service to problems it raises. Thankfully, that is not the case.
Had Bay Area Figuration taken its place in the canon, we might not find ourselves in the tiresome situation we’re in at the moment.
YUP’s uneven Jewish Lives offers a series of short, accessible biographies that could become a significant literary mural, showcasing the scope of Jewish culture.
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