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After reading the supposedly offensive article in the American Mercury, the judge said: “No one but a moron could be affected by it.”
At a mere 1 hour and 34 minutes, Chuck Workman’s documentary about Orson Welles is rushed and sometimes choppy, leaping through the filmmaker’s bountiful life.
Club Passim’s vegetarian days are over — the new menu is all about “globally inspired New American cuisine.”
Actors’ Shakespeare Project’s superb production of God’s Ear honors this beautiful text.
“It takes a special choreographer to make audiences laugh, reflect, and empathize.”
No disputing it – right now, Vijay Iyer is The Man on jazz piano.
Don’t miss the “joyous shout and ringing cheer” of this delightfully boisterous version of The Mikado.
The Bridal Chair will not only answer many questions about this complicated, famous family; like Chagall’s best work, it will also linger in the mind.
Moses(es) has many layers of metaphor and suggestion, but the surface is always visually intriguing, musically imaginative
Jazz Commentary Series: Jazz and the Piano Concerto — Mavericks, 1938-1983
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
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