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Postmodern Jukebox dials the clock back on contemporary pop.
Two films in the Boston Jewish Film Festival: one sticks to the commonplace, the other looks at the bizarre.
Brooklyn‘s script neatly consolidates the novel’s trials and tribulations without becoming too saccharine.
Alice Rohrwacher’s film, which won the Grand Prix at the 2014 Cannes Film Festival, is a rarity — it is genuinely magical.
I just have to use all my personal musical experience — classical music and jazz and rock and electronic sound — and not worry about where it fits.
What keeps the film churning? Not much. A bit of withheld information.
If anyone needs more evidence that graphic memoirs are the equal of purely literary ones, Invisible Ink closes the case for good.
“The question is what piece of the American experience is next going to add the richness of its voice to the Supreme Court.“
In Eternity’s Sunrise, Leo Damrosch’s prose flows, filled with imaginative lucidity.
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