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Homophobia may not have been behind Freddie Mercury’s decision to keep the location of his ashes a secret, but it hardly ruins Mercury’s Ashes.
Readers inspired to take a listening journey from Gioia’s historical perspective will benefit greatly from his delineation of jazz’s various forms.
Ben Ratliff’s volume about how to listen to music is full of fairly radical but largely undefended assertions.
Apollinaire Theatre Company has expanded the possibilities of finding first-rate outdoor Shakespeare in the Boston area.
Conclusion: Woody Allen is, and long long has been, an aged fart.
A meta-documentary shows us what viewers really want from the genre, and how problematic that can be.
What are documentaries supposed do . . . and not do?
The performances by Ange Dargent and Théophile Baquet could not be better.
Book Review and Commentary: Testaments to the Wonderful Ears of Ralph J. Gleason
A writer has to write for the now or to write for the ages. Gleason almost always chose the now, but his best moments go deeper.
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