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“Surely the passion for the plain, the homespun, the banal is itself a form of betrayal, a refusal to look honestly at a complex universe.”
This is a theater of signals, like a fast-changing slide show of things we recognize and don’t quite recognize.
This was a fascinating program conducted by someone that the BSO will hopefully put (firmly) into their rotation of distinguished guest conductors.
“Tokenism also plays into this issue. Some companies are hiring one dancer of color and they think they’ve done diversity.”
A Man Called Ove‘s darkness and humor are balanced artfully, a merit one often sees in Scandinavian film.
Green Day’s latest offering is a largely unoriginal, imitative hodgepodge.
The New Rep production is polished, surprising, and certainly hard-hitting.
At the Vancouver Film Festival, cinema lovers could look at movies which had been much praised at prior festivals, including winning prizes.
“I’d be happy to start making a new record tomorrow, but I don’t know if we’ve all decided what the next move is.”
Cursed Legacy‘s chronicle of the life of Thomas Man’s son is an important addition to the cultural history of the twentieth century.
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