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Claire’s Camera is enjoyable and charming, but it’s definitely minor Hong, made on a lark at Cannes.
What we want is for Al Pacino to convey something deeper, something illuminating about the fall of the hero from the highest reaches of the gods.
Celia Paul’s paintings are calm, reflective, and inviting.
No Way Home is a model for how to tell a weird, complicated story in a way that will make the reader hang on tight for the whole ride.
A thoroughly charismatic Fairy Queen from start to finish, well-prepared, fulgently delivered, and received by a packed house with well-earned warmth.
Pandora’s Box never tosses the reader into a roiling overload of facts and figures, but looks at the horrors of WWI from many different, illuminating angles.
The Niceties gives us an invaluable opportunity to hover outside of the current political debate about race and American history.
One doesn’t have to have gone too deeply into Buddhism to recognize its influence on the titles found here, and perhaps on the music as well.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
Commentary: Once More, Back to the Little Shop of Horovitz
The strategic silences in the Boston Globe’s piece on the legacy of Israel Horovitz are disturbing.
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