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Roseanne Barr recently apologized to billionaire Holocaust survivor George Soros for claiming he collaborated with the Nazis.
The show had an undercurrent that brought to the fore all the issues that have put Wynton Marsalis at the center of the culture wars.
By taking the stage with 15 musicians, none of whom is female, the Jazz at Lincoln Center Orchestra presents the music as segregated and outdated.
In contrast to the contrived food shows of today, Anthony Bourdain brought class and vigor as well as creativity to his fascinating stories of food and travel.
John Prine’s music on The Tree of Forgiveness is alert and nimble – not at all a retreat to the folkie bar.
For a composer who hails from Finland but found his spiritual home in Southern California, Esa-Pekka Salonen’s is a singular musical voice.
Apart from a few weak elements, GBS’s Calendar Girls is a well-acted, well-staged comedic romp filled with wit, warmth, and genuine insight.
Composer Charles Villiers Stanford’s best traits were formidable indeed.
A chance to see two important works by pioneering African-American filmmaker Bill Gunn.
Rethinking the Repertoire: Postlude
The moral should be to err in favor of the audacious. That’s what this world – and this art form – require.
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