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Despite its occasional confusions, this is poetry I will return to — to re-experience A.E. Stallings’ wit, wisdom, and word-smithing.
The Window contains an inspired pairing — between singer Cécile McLorin Salvant and pianist-organist Sullivan Fortner.
K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
Disco is back in town! DJ Joey Carvello returns to Boston and the compilation Boston Goes Disco! is released.
Tyshawn Sorey flies far from his innovative masters. I hardly expected that the result would be so mesmerizing and alive.
Eleanor Burgess’ The Niceties is an articulate, if structurally crabbed, expression of #blacklivesmatter anger as well as a millennial rebel yell.
Three bold new public art installations underscore the possibilities of visual and conceptual experiences in 21st century Boston.
The show’s attempt at satire comes off as blunt and lecture-heavy at times, but the production still manages to be an engaging comedy of manners.
This slender memoir reads like a rambling conversation with a literary stranger you meet on a train.
Music Commentary: 2018-19 Boston Classical Music Fall Season Preview (Orchestras, Opera, and New Music, mainly)
There’s so much going on in the area that’s good that it’s a challenge to go wrong.
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