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Henry Cowell’s was an important, if now often forgotten, voice in 20th-century music.
Convenience Store Woman is an achievement — a satiric look at a mind that is intent on remaining empty.
A delicious, comforting gumbo of a Wiz with all the right ingredients for an upbeat, entertaining evening (or afternoon) at the theater.
The best festivals, like Disc Jam, build and deliver music-fueled experiences.
Rupert Thomson’s Never Anyone But You is a quiet, expert, and inestimably engaging novel.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
The Altenberg-Lieder feature Alban Berg at his most direct and concise, as well as his most sumptuous.
Evening at the Talk House is a savage indictment of our country’s acceptance of the immense, horrific violence necessary to maintain our consumer comforts.
Fall’s conflict is presented with insufficient power; its domestic tragedy is not propelled along its inevitably troubling course.
Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”
Composer Florence Price’s lack of acceptance into the American canon is shameful.
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