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Living Colour gives us fair and balanced for those who fear becoming unbalanced.
Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
Slayer has been as good and dependable as any band ever has been in rock and roll.
With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
Besides passing along the tradition of mariachi to their students, the members of Mariachi Mexico Antiguo perform as an ensemble at local events, including this weekend’s Lowell Folk Festival.
Miguel Zenón’s extraordinary writing for strings and saxophone makes use of ever-changing textures generated out of jazz, Puerto Rican folk, and classical music.
Hub Theatre Company’s production of The Taming is engaging, thanks in no small part to the hilarious performances of its three lead actors.
The critic settles too comfortably too often on a familiar trope — Ireland’s sense of promise squelched.
A baker’s dozen of recordings worth hearing . . . maybe even owning.
Stage Commentary: Making Boston Theater Magical Again?
Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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