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To Sleep with Anger is a masterpiece, a powerful reminder that, however seductive the devil might be, he can be overcome.
Richard Pittman led the core players of BMV in a confident, evocative reading of the music.
The Boston Lyric Opera is mounting a fabulous staging of Benjamin Britten’s visceral opera.
Hal Blaine contributed so much to such a large number of rock and pop’s greatest hits, that his music will continue to be heard and appreciated for as long as there are radios.
Whom can we thank at the Boston Symphony Orchestra for choosing James Carter to be the featured saxophone soloist in March 23’s concert at Symphony Hall?
Music Director Martin Pearlman had the excellent idea to cut out 6 of the 24 arias to make Jephtha move along, and it paid off.
The Bird King is an utterly lovely reading experience.
William Forsythe asks dancers to go beyond their mastery of technique — in order to have the music move audiences to a higher level of emotional involvement.
A 1962 concert performance from Radio Italiana, now on CD, shows how delightful Wagner can sound without barking and slow wobbles.
The Flesh Eaters have returned with renewed vitality, after it hit some troughs and sputtered to a near stop.
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